Are you writing a children’s book?

Are you an independent (indie) author who hopes to self-publish? Not sure how to go about it?

I receive many proofreading requests from first-time authors seeking help. Most of the requests that I receive are from indie authors who have found my website and are seeking help to get their children’s book ready for self-publishing.

Their most common phrase is, I’ve written a children’s story. I am new to all this. What do I do next?”

I thought it would be helpful if I put all the information that I give to clients here, in one place. Indeed some of this advice will answer questions asked by any indie authors, regardless of the audience age. So read on if you write any kind of fiction or are an editor for indie authors.

Proofread or proof-edit?

When you ask for help are you asking for a proofread or a proof-edit of your book? They are slightly different and I explain the difference in my services here. If you’re not really sure what kind of help you want, that’s fine.

Age bands in children’s books

I will ask you which age group you are aiming at, and what kind of story you’ve written. Generally, there are a lot of ways to categorise books. But all published children’s books must be given BIC marketing categories, which have specified age groups based on interest level (not reading level), so publishers will categorise their books into age bands.

Age bands

Children’s fiction and non-fiction are split into these age groups: 0-5 years, 5-7 years, 7-9 years, 9-11 years, 12+ years. Most non-fiction for primary age is for the 5-7, 7-9 and 9-11 ages. The 0-5 age group can be broken down into 0-2 and 3-5 to specify board books or picture books.

Terminology for each type of book

Board books 0-2 Picture books 3-5 Early Readers 5-7 Young Fiction 7-9 Middle Grade 9-12 Teen 12-15 Young Adult (YA) 16+

Genres (types) of children’s books

  • Fiction: fantasy, horror (eg Goosebumps), personal and social issues (by authors like Jacqueline Wilson)
  • Non-fiction: hobbies and interests, reference (for topic research, eg volcanoes).

Use bookshops for ideas

Visit any bookshop and flick through a variety of children’s books. Choose a selection of ages and genres. This will help if you are unsure of where to pitch the vocabulary in your book. Looking at a selection will give you examples of how the writing and illustrations are presented. Also, see how the speech (dialogue) is punctuated, if applicable.

Choosing an illustrator

children's book

Have you written a book for younger children? You will need illustrations. Most new clients send me a Word document with the text. It would be useful to know how you visualise your story. The illustrations tell the story as much as the words do. Placement of the illustrations is crucial to the impact of your story. Have you chosen an illustrator? Have you thought about your cover?

If you need help choosing an artist, the Alliance of Independent Authors (ALLi) has a directory (see below). From there you can choose a Partner Member who offers a service, eg illustration, book designer, etc. Perhaps you are going to illustrate your story yourself? Marvellous!

Writing a blurb

Have you written a blurb for your story? A blurb is a synopsis found on the back cover which summarises the story … without giving away the ending. There is a particular skill in keeping the blurb succinct. I can help you. I will offer to proofread your blurb, included as part of the final proofread of your PDF.

How can I help you?

I proofread children’s books using my decades of knowledge teaching reading in the primary classroom. Showing my students how to value books and enjoy well-written stories, I modelled how they could improve their writing by discussing how the stories were written. I continue to share reading time with my tutees as part of our tuition lessons. See the blog post I have written: How I Teach English

What next?

If you are a children’s author, see my Rates page for the packages I provide. I have supported several independent children’s authors to self-publication. They’ve told me they’ve seen my Partner Member profile in the directory of the Alliance of Independent Authors (ALLi). Email me for my Affiliate Link to join.

Alliance of Independent Authors (ALLi)

As mentioned earlier ALLi has a range of helpful resources and guidebooks to support indie authors in the self-publishing process from editing to designing to publication. You want to be proud of the book you’ve written. You need it to be the best it can be. Your editor or proofreader will polish your book or know who to recommend. Good luck! I look forward to seeing your book published.

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Sources

Source for children’s book age bands and categories – credit to Lisa Davis, Children’s Book Editor and Publishing Consultant. Fellow CIEP member.

Recommended resource: Pen to Published Podcast by Alexa Whitten (independent book publisher) and Alexa Tewkesbury (author, editor and proofreader).

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6 Website Features You Should Check

6 website features you should check (part 1)

Have you started your freelance business? Do you have a website? Are you concerned that you don’t have much yet to put on a website?

You may feel terrified at the thought of building a website.

Or have you owned a website for ages? Have things changed in your business? Perhaps your website needs refreshing.

Tall Tartan Talks here … Whether you are a new or established freelancer, it is vital to give prospective clients who come across your website the impression that your features are correct and up to date.

Fear not. I have made a list of website features that you should check, which won’t take a moment for you to fix.

Go on, have a look … Open up a new tab, find the admin section of your website, and work through my list.

Website features to check

  1. Contact email address
  2. Contact form
  3. Spelling, punctuation and grammar
  4. Correct copyright date in the footer
  5. ‘I’ rather than ‘we’
  6. A photo of you, the business owner.

Fixing six elements

1. Contact email address

If you have a website, it appears more professional if your email address is linked to your domain name. For example, my website is proofnow.co.uk. My business email is annie@proofnow.co.uk.

Make sure the spelling of your email address is correct on your website. An error means potential clients, or fellow colleagues, can’t reach you. They will give up and try someone else.

It is personal choice whether to display your phone number or not. Some freelancers like their customers to book a call, so their number may be linked to a Call To Action (CTA) button.

Being contacted by WhatsApp, in my opinion, is the worst way to communicate for business. I keep that app for friends and family. Others don’t want to be disturbed by phone but would rather be contacted by email. Whatever your preferred form of communication, make sure it is apparent and correct on your website.

2. Contact form

A contact form on your website is effective for reducing spam. But ensure it is connected to your email address and messages can get through. It is frustrating for potential clients to send a message only for it to be lost in the ether. Check your contact form works by emailing yourself or asking a friend to test it.

3. Spelling, punctuation and grammar

This may seem obvious, but check the spelling, punctuation and grammar. Proofreading the content is vital, especially if you are providing your services as an editor or proofreader.

It is difficult to proofread your own writing because you see what you think is there, not what is actually there. You may have redrafted a phrase and the sense has gone? Yep! Again, ask a friend to check the content for you.

4. Correct copyright date in the footer

Have you ever scrolled all the way down to the bottom of a website page you are browsing? There is usually a date at the bottom – the copyright date. It should show the current year or the range of years of business.

You’d be surprised (or maybe you wouldn’t) how many websites look out of date because the footer hasn’t been updated. Even well-known and established brands have overlooked small details like this.

If the date is wrong, how can we trust other content on the website to be correct?

5. ‘I’ rather than ‘we’

This is a style feature. If you are a sole trader, you own your freelance business. It’s just you, not a team. Do you use ‘I’ or ‘we’?

‘I’ is more personal and gives the impression that you are talking directly to me. I can get a sense of you and your business from your website. ‘We’ gives the impression that you are part of a team providing the service.

Be honest with your content. If you use ‘we’, who else are you talking about? What are the names of the people in your team and where are their photos? That brings me on to the next heading.

6. A photo of the website owner

I am aware that not everyone likes to see themselves in a photograph. But a photo of the freelancer brings a personal touch to their website. I can put a face to the name of the business.

It’s not hard to upload a selfie. If it is an up-to-date photo, even better. If you can afford to get a professional headshot taken by someone who can show your personality … fantastic!

Some freelancers use a logo instead. It’s a personal choice. Whatever image you use, make sure it is the same on your website as in any networking groups and social media channels you use.  If you use a photo, we’ll recognise you quicker. You will become a familiar face. And we’ll remember you.

Keeping your website fresh

If these features are in place and appear current, the potential clients looking at your website will know that they can trust you. You will give a good impression. The client may even be convinced to ask for your services.

There are other features I haven’t mentioned, but those mentioned here are a start and will point you in the right direction.

Websites are never finished. Don’t think that once it is built, that’s all you need to do. You need to tweak it monthly, at least.

If you add new content, for example, a fresh testimonial, it will keep your website up to date and fresh.

Why your website is important

If you keep these six points in mind, your website will help you come across as a trustworthy and confident professional.

Remember, your website is your shop window.

You may just prefer to rely on a profile on LinkedIn, Twitter or Facebook to help you persuade clients to book your services. But you own your website. It belongs to you and isn’t at the whim of the social media algorithms.

Your website needs to work for you and represent who you are. Be proud of it!

more website features you shold check
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Next in series: More Website Features You Should Check

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Managing Emails

Blog post: Managing emails

Would you like to get your email inbox down to zero by the end of each day? I didn’t know such a thing was possible.  You may wonder, “Inbox zero? What magic is this?”

Tall Tartan Talks here … I discovered a non-fiction business book called Productivity Ninja by Graham Allcott. One particular chapter which struck me was about managing emails. His strategies were revolutionary for me. This blog post is a review of that chapter.

I was one of those people who had over 200 emails in each of my three inboxes. I sorted them occasionally. Of those emails, some were newsletters I subscribe to.

If I include my smartphone, I was prone to checking emails far too often. And the important emails got lost too easily.

slow hamster wheel

Sorting cluttered inbox

I starred or flagged some important or urgent emails for easy reference, but my inbox was becoming unmanageable. My professional email, annie@proofnow.co.uk was the fullest.

Then I found, in his chapter Ninja Email Processing, where Graham says, “Be a Ninja – take a ruthless approach to emails!” Now I adopt his strategy.

Interested? This is how you do it.

Reducing your inbox to zero daily

The bare bones of how to get started are:

  1. Open emails
  2. Create three new files: Action, Read, Waiting
  3. Scan the first couple of lines of each email. If it needs to be dealt with by you immediately, move it into Action. If it isn’t important, move it to Read. If you are waiting for someone else to action, move it to Waiting.

I used to look at my growing email notifications, groan inwardly, feel fear and overwhelm, avoid then stress about what might be in my inbox. When I was waiting for a particular email from a client, I would pause a job whenever a notification sounded, whether that job was proofreading, or tuition preparation. I had to check then and there who it was from, especially if I was expecting an email.

Stop!

Graham suggests that the problem needs to be viewed in a different way: your email inbox is just where your emails land; don’t check your emails, process your emails; and don’t let your emails nag you all day.

Developing a strategy

Firstly, look at your inbox as a landing page, not a to-do list. We tend to keep the emails in that inbox so we don’t lose them. The answer? New folders need to be created to hold actionable emails, and those emails which can be deferred.

Secondly, restrict checking emails to, at most, three times a day.

  • First thing in the morning, or 9am (or whenever your business day starts).
  • Second around 4:30pm to give you 30 minutes of reducing your email list to zero. Or later, if you don’t stop on the dot of 5pm.
  • Third, you may also want to check emails at lunchtime.

Me? … I am slowly weaning myself off reading of emails after 8pm … in an attempt to maintain work boundaries. The same goes for checking social media or message channels. (My excuse is that some of my editor colleagues are in a different time zone.)

How to process (not check) emails

  1. Scan the first email for a couple of seconds. Don’t hang about. Ask yourself, is it vital I action this? If yes, move it to Action.
  2. Scan the next email. If someone is acknowledging they will action something you have delegated, move it to Waiting. This guarantees that you will have a reminder to follow this up.
  3. If the next email is something not at all urgent but for perusing, say, a subscription which you want to read at your leisure, move it to Read. Don’t start reading it now.
  4. Repeat steps 1–3.
  5. By the end of 30 minutes, there should be zero emails in your inbox.
  6. Repeat three times a day.
management

Naming subject folders

You may be like me and organise your emails into many subject, client-baased, or archive folders. Again, this can get out of hand. My next job is to whittle those down to more efficient labels. So that when I have gone through my burgeoning Read folder, I will move each email to a re-named folder, or delete it.

Graham’s theory is that if you have only three folders to move the incoming emails into, it makes decision-making and sorting much easier. Agonising will be reduced to a manageable level.

If, say after a week, you look in the Read folder and email subject is no longer current or valid, then delete it. Or move it to an archive folder.

One of Graham’s tips is to think of a set of Ds: Decide, Do, Delegate, Defer, Delete.

Cutting the dead wood

Perhaps you subscribe to newsletters by email. For example, if you follow particular people for their business or subject knowledge … There are many out there. It may be time to review them and prune who you subscribe to.

Try subscribing to one for six months. Count how many of their newsletters you actually read and action in those six months. Be honest. Be brutal. Cut out the dead wood and unsubscribe if the answer is only one or two. That is one way to reduce the number of emails you get.

If you are successful with this method, you have more control over those incoming emails.

Overwhelming information overload

Information overload is a threat to our productivity, so I recommend Graham’s book if you want to be proactive about reducing that overload. By managing your emails – and your time, by procrastinating less – you can focus on your priorities.

I look forward to finishing Graham’s book. Guess what? I have signed up for his newsletter. Oh, the irony!

One further tip I have found since is to turn off email notifications so that I am not tempted to stop a job instantly to check emails. They are now under my control. I check them when it is convenient to me.

There you have it. If you learnt something from this post, head over to my Blog page.

Author background: Graham Allcott

Founder of Think Productive (@thinkproductive), Graham Allcott is an entrepreneur, author, speaker and podcaster, offering coaching strategies for business and time management. He is host of the podcast Beyond Busy. His book was first published by Icon Books in 2014, and totally revised in 2019 because of the advances in technology.

Other great chapters in Graham’s book include:

  • The Organize Habit
  • The Review Habit
  • The Do Habit
  • Stop Messing About on Your Phone.
strong arm

Sprinkling publishing confidence,

Annie

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How I Teach English

How I Teach English blog post

There is a lockdown. Schools have closed for all except the children of keyworkers, with a rota of teachers. Parents are home-schooling their children by teaching English, and all the other subjects.

The pupils who I used to teach face-to-face have moved over to online tuition. I have been learning how to use Zoom, and how to share resources using screenshare.

Tall Tartan Talks here … My feeling now is that the information I share in this post about how to teach English is just as important now in the current climate. You will become more aware of just how much there is to teaching English – and that’s just up to Year 6 (age 11) level – never mind GCSE or A level.

Teaching background

I write about my freelance business. I have been providing proofreading and tutoring  services since I left classroom teaching in 2016. This is part of my blog series on education, teaching and learning, and how educational publishers and children’s book publishers can benefit from my expertise.

English teaching

When I teach English to primary school children, I could be covering within these six skill areas:

  • reading decoding and comprehension
  • spelling
  • punctuation
  • grammar
  • handwriting
  • writing composition

Reading

The key skill in teaching English is the teaching of reading. Without having efficient reading skills, children find it more difficult to access other areas of the curriculum.

By the time children leave primary school, they should be able to read and understand what they are reading. There are those children (below average) who can decode (break down) the sounds in words to help them recognise and pronounce them.

More able children can read challenging texts fluently. When I taught in the classroom it was a pleasure to hear a child read with expression or have confidence performing with drama. It was equally pleasing to see the progress made by a child who was struggling with phonics. Those lightbulb moments are priceless.

books

Infer and deduce

It is intriguing to teach more able readers how to infer and deduce (read ‘between the lines’) by increasing their vocabulary, by prompting them to understand what that challenging vocabulary means,  by leading them to dig deeper into the text.

It is encouraging to watch reluctant readers laugh at the stories spun by authors such as Liz Pichon (Tom Gates). They want to read on … But it is also frustrating when they ignore an unfamiliar word, hoping it will just become invisible. I teach them to become inquisitive enough to want to find out why the author chose that word, investigating how that word adds to the story.

Spelling, punctuation and grammar (SPaG)

Three elements of English – Spelling, Punctuation and Grammar – have been turned into a variety of acronyms by the Department for Education over the years: their incarnations have been SPaG, GPS, … In the 2010s the government introduced intensive assessment of SPaG at the end of key stage 2 (Year 6), which resulted in children being taught far more about grammar than they need to know at that age.

Let’s begin with Spelling.

Spelling

you're

I find that children generally divide into two camps: either they can spell, or they can’t. Some children really worry about spelling. Some don’t know what the fuss is about – spelling isn’t important to them. Or there are those who are proud because correct spelling comes easily to them. They got perfect marks on the weekly spelling test.

When tutoring my pupils, I ask them to look at the spelling of a word they have written. Does it look right? Does it match spelling patterns they know?

Spelling can be taught in fun ways using games, e.g. Scrabble, wordsearch, to name just two. ZType is a typing app which reinforces spelling in a fun way. Try it!

Children with dyslexia are a different discussion. Thankfully they now get more recognition and help now than in the past.

Punctuation

It was so frustrating when, in upper primary, I experienced children forgetting to use capital letters and full stops to begin and end a sentence. Ironically, they could use more advanced forms of punctuation, but forgot the skills taught in Year 1.

By Year 2 (age 7) children are taught to add to their knowledge of punctuation by using a question mark or exclamation mark. By Year 5 (age 9) children are taught to use a wide range of punctation, including the semicolon (an elaborate comma) and colon (introduces further information).

When I wrote their ideas on the whiteboard or Learning Wall during Guided Writing, pupils were keen to point out punctuation errors (deliberate mistakes made by me) but they weren’t as observant in their own writing. Children had to be retaught to punctuate as they wrote, rather than put the punctuation in afterwards.

Which is why writers perhaps can’t see the wood for the trees and need a trained editor and/or proofreader to find errors.

eyes looking

Grammar

Here are some terms you may not have come across before. They are assessed in the SPaG SATs (Standard Assessment Tests) for Year 6 (age 11) at the end of Key Stage 2.

Let’s try some … Can you identify the following? 

What is:

  1. an adjective
  2. an adverb
  3. a fronted adverbial
  4. a modal verb
  5. a conjunction
  6. a subordinate clause
  7. a relative clause
  8. active voice
  9. passive voice?

Here are the answers, if you are curious:

  1. adjective: describes the noun
  2. adverb: describes the verb (sometimes ending with ‘ly’)
  3. fronted adverbials: an adverb which starts a sentence pausing with a comma, e.g. ‘In the far distance, …’
  4. modal verbs: verbs which show possibility or likelihood
  5. conjunctions: used to be called connectives – links two clauses with ‘and’, ‘but, ‘or’, etc.
  6. subordinate clause: a clause which depends on the main clause to make sense
  7. relative clause: a subordinate clause introduced by a relative pronoun, e.g. who, which, whose
  8. active voice: the subject of the sentence is doing or being, e.g. The cooks burned the apple pie.
  9. passive voice: the subject is being acted on by the object, e.g. The apple pie was burned by the cooks.

However, this is not the place for a debate about which and why grammar rules should be taught to 7 – 11 year olds.

Right, moving straight on to something a little less controversial …

Handwriting

According to the national curriculum, children should be joining their handwriting from Year 2.

I get much satisfaction from showing children how to form their letters correctly. Tall letters have ascenders (lines going up, e.g. b, d, h, k, l, t) and others have descenders (lines going down, e.g. g, j, p, q, y). The letter f, when handwritten, should have both.

Each school usually has their own handwriting policy. Some schools advocate teaching cursive handwriting from EYFS Reception (Early Years Foundation Stage). That’s fine if the child demonstrates good fine motor control with the pencil, but I’m not convinced. Then again, I never taught in an EYFS classroom. (I was too tall to get my legs under the tiddly tables!)

Another tip I offer is to dot the i’s and cross the t’s after the whole word is written, rather than lift the pencil/pen and stop the flow of the word to finish those letters. Try it with the word ‘little’. Oh, and remember that those l’s are ascenders, so will be taller than those standard i’s and e’s.

Neatly joined handwriting has its place and does look absolutely exquisite in the right setting. But the quality of the handwriting should be appropriate to the audience. For a quick visit to the shops with a list just for one’s own viewing, a scribble is sufficient. On the other hand, perfecting the greeting on a card to Granny is the opportunity to be proud of neatly joined, cursive script.

handwriting paper

An example of a student handwriting sheet which encourages the use of ascenders and descenders.

Writing composition

quality content

There is nothing more thrilling than to have a child show their learning by incorporating features of writing you have taught into an unaided composition.

Whether the genre is myths, legends, historical, comedy or horror, their ability to show understanding of the features of that genre is a mark of their progress and success as writers.

Their skills at writing are enhanced if they are reading a wide variety of genres. If they can also build believable characters, with imaginative speech which moves the story on, and they can talk directly to the reader, their writing becomes a sheer joy to read.

By Year 6, most children can include a wide range of devices in their writing: plot structure; description of setting and characters using vivid adjectives and adverbs, similes and metaphors; action between characters; speech (using the rules of dialogue punctuation); and punctuation. Even showing contrast of types and lengths of sentences, e.g. ‘long / short / long’ or ‘short / long / short’ for dramatic effect.

The hardest concept for some children to grasp is how to lay out paragraphs. They are taught to start a new idea on a new line with a small indent. Each paragraph should have a new idea. One example of a model to help understanding is to show children fiction authors’ work where paragraphs have been jumbled. The task is to rearrange them so that the meaning of the overall text makes sense.

So, all these elements are taught in a module lasting several weeks over a half term, building up their skills, until the children get a chance to show that they can apply their learning.

At the end of an hour’s composition, the children are given the opportunity to read their work back to themselves. In the classroom, they would whisper aloud so they could hear it. Hearing it spoken is a tip for the checking of any errors. Editors and proofreaders do it as a proven strategy!

Hoping this helps

To finish, you will find some helpful websites below about the teaching of primary English. They will be especially useful if you are home-schooling.

all the best

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Education blog posts

See the links below to the other posts in my series on education:

Why I Tutor

How I Teach Maths

How Do You Learn?

Children’s Well-being and Mindfulness

Philosophy for Children

Further reading